Showing posts with label personal growth. Show all posts
Showing posts with label personal growth. Show all posts

23 July 2010

Five years in Turkey and Five Insights

Vanity, Rose Deniz 2010

This post was originally going to be tips for traveling light - a global citizen mama carries a lot of stuff across the world, but there are other ways to travel light - starting with disrobing definition and adopting changes in perspective.

Here are five insights that stem directly from uprooting myself and moving to Turkey.

1. I like to be slightly off the beaten path. I don't live in Istanbul, and I'm none the worse for it. Sometimes I get too hermit-y, but I need less stimulation in my daily life, not more, to do my creative work. Are you the kind of creative person that needs to live off the beaten track, too?

2. Saying the right thing is overrated. Observation, sharing, smiles, kind looks, accepting and offering food and drink, all help me to be expressive in Turkish. The persona I thought I adopted as a survival instinct to manage living abroad was not a veneer - it was an unused muscle, an un-actualized part of myself that had been dormant.

3. Raising kids abroad anchors me to Turkey in unexpected ways. I have to be present. My kids say and do things that put me at ease because they don't think about being half Turkish, half American. I'm learning to ignore parenting disparities and find commonalities.

4. Creativity doesn't need a rigid set of tools. I trade canvas for textile, fabric for pen and ink, then drawing tools for words depending on the space I am in. I've learned to slip in creative moments where I would have thought there was no time. Parenting brings out my creativity rather than prohibits it.

5. Words like foreigner and expat don't fit. I prefer global citizen, and being hybrid resonates with me in terms of being one of many places, with many impulses.

What have you learned about yourself from the place you are in? 

14 April 2010

Process-oriented

From 2002-2004, whenever I went into my studio to paint, I read books. I started nearly each and every day with an hour or more of reading and note-taking, checking for new books in our tiny but well-stocked art library. My MFA in Painting thesis had more poetry than painting in it with 'titles as tenets as they related to various ideas and influences' (directly excerpted title). I was hot for Emily Dickinson, James Merrill, and appendixes. I included two, and the second appendix had endnotes for the endnotes.

Appendix II mentioned:

XII. Dutch coffee, which sometimes I miss to distraction
XIV. The color pink
XVII. Deep discounts

And a list of all the vehicles I had driven until 2004.

While I read and wrote, I smelled oil paint in our studios because we had poor ventilation. My professor listened to Eminem while peeling backing off of sticky vinyl to apply to her metal canvases. I did make paintings, big explosive ones that had volcanos, nuclear bombs, and sexy squiggles that I called map symbols. Later, I switched to paper because my work seemed better-suited to the hand-drawn and immediate, magnetized by words.

How does a hybrid of two-or-more comparable things: reader/note-taker, painter/writer, mother/expat, traveler/homebody, for example, allow something previously undiscovered to emerge?

The alchemical mixture of science lab-slash-library in my studio allowed for process-oriented discovery, and six years later the language of color and paint continues to transform.

02 February 2010

An entangled inheritance


I've been thinking a lot about the things that are supposed to come naturally, like knowing when to comfort and nurture. Thinking about grief. Thinking about the things that seem contrary to reason, like that my genetic offspring have sprouted feet that jump onto glass tables, climb bookshelves, and drop breakable momentos on the floor. Thinking about resolutions, evolution, and expectations interwoven with fears of failure not just limited to creative work.

A Mother Near or Far
Motherhood in Turkey began for me nearly three years ago, early in the morning in late October. In the history of motherhood, this is but a blip on a radar screen, but it connects me to a legion of mothers that have come before and will come after me. It is humbling to think as women we carry in our eggs future generations, even more so when we know that the grandmothers who birthed our mothers carried the egg that created us. Nestled inside us are generations. 

It's not Mother's Day. Today of all days I feel an unlikely spokesperson for artfully managing the affairs of home and work as Catherine Yığıt also explores in Housekeeping, though I know out of the turmoil can come something remarkable, like Alia El-Bermani shares in Artist and Mother. So that's why I'm sharing part of the Op/Ed I wrote for the Hürriyet Daily News for Mother's Day, 2009. Because the elixir, the elements (and not always happy ones) that connect mother and child happens on a social, cultural, and cellular level as well as an intangible one. This was my way to untangle my threads. 

We spent most of this week in the hospital, trying to find out what was causing my son to throw up, and finding that all of us, including our baby daughter, had been hit again by the flu. While at the hospital, I thought that this is parenting. This is motherhood. This is what we do every day – we get up and take on the vast risk that our children will experience life and that it won’t be fatal.

But what happens when the opposite occurs? When a mother leaves before a child is grown? As was the case with my own mother, who died when I was a mousy-haired, buck-toothed pre-kindergartner with a cherubic little blond brother who needed glasses. His glasses broke so many times at the playground from bigger kids bullying him. I was an overprotective sister, bullying in my own right, singling out the boys who hurt my brother, and being a tattletale. This did not go over well, and my brother was actually more resentful of my help. I was getting an early taste of mothering, letting someone you love and want to protect go and get hurt. 

I know I am still grieving for my mother, but not in the same way as I did years ago. I want to know what her life lessons would be, how she would react to my toddler slamming doors and drawing on the walls. I know I have a unique relationship to my mother. I talk to her, and sometimes she answers. Like the time I wrote to my godmother, and asked her, “How did you and mom learn to be so patient?” She instructed me: understand yourself first, and patience will follow. And then, at the end, a postscript: “Ask your mom and she will show you, but you need to be listening and watching.” My mother was of Jewish descent, and this is not the first time I’ve gotten the message that she is right here, beside me, a Jewish mother nudging me from the beyond.

Because I was born of her, I am also of Jewish descent, and now my daughter. My daughter can claim three religions to her name, Christianity, Islam, and Judaism. Is this perhaps the greatest gift a mother can give? I am not certain, but I do hope, that at least in some small way she is symbolic of the potential for disparate things to exist peacefully. What is passed from mother to child may only be revealed generations down the line.

Can inheritance be predicted in our childhood scrawls, as I intuit from E.Victoria Flynn's post? Can it be constructed in a life abroad with a new community and different resources, as Verity discusses?